Title | Length | Watched |
1. Introduction |
8:33 | |
2. Introduction Continue |
5:38 | |
3. Breakdown of the Music Part 1 |
5:49 | |
4. Breakdown of the Music Part 2 |
7:38 | |
5. Pull-Offs Drill |
4:11 | |
6. Breakdown of the Music Part 3 Free Lesson |
6:27 | |
7. Breakdown of the Music Part 4 |
5:58 | |
8. The F Major Section Part 1 |
8:07 | |
9. The F Major Section Part 2 |
4:47 | |
10. The F Major Section Part 3 |
4:41 | |
11. The D Major Section Part 1 |
9:21 | |
12. The D Major Section Part 2 |
9:36 |
Capricho Arabe is yet another iconic piece by Francisco Tarrega (1852 – 1909) that has captured the imagination of guitarists and audiences alike. A unique haunting melody full of poetic yet subtle drama inspired by the Moorish influence on the Spanish culture, it is drenched in a fair amount of European romanticism. A humble yet sublime melody caresses our ears after a rather dramatic and attention-capturing beginning. The first melody, being in D minor, is charged with melancholy and sadness that tugs at the heart. The second theme, which modulates to F major, and the third theme in D major, gives us but a brief respite and a momentary sense of optimism, climaxing into the inevitable pain of the first theme in D minor, challenging the performer to tell the same story one more time but from a different space in your heart.
This expressive formula follows the lines of the Romantic era, even though this piece was written towards the end of it. We can clearly hear the influences of the great romantic composers, especially Frederic Chopin, whispering in Tárrega’s ear, but in miniature and idiomatically adapted to the intimacy of the classical guitar.
It takes a certain maturity to play this piece with the required innocence and purity. In this lesson you will learn a lot about phrasing, rubato, articulation, expressivity and control. All the difficult passages will be broken down and explained in detail. Also, from a technical standpoint you will benefit from learning to play a melody with a rich and full sound whilst holding a solid yet melodic baseline.
In this lesson Adam del Monte is playing a classical guitar by the master luthier Erez Perelman with spruce top, Indian rosewood back and sides
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